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Interview | Qin Hao: The role of Tuina is very similar to mine, but it is different but thinks it is mainstream.

On November 25th, 2014, actor Qin Hao (left) attended the Shanghai media meeting of the film Massage. The Paper reporter Yong Kaitu

        Qin Hao, who has been debuting for more than ten years, is probably not as well known as Mr. Qin in Weibo, Yi Nengjing. You can say that Qin Hao is a low-key, a literary man who walks on the edge of the entertainment circle in a free state and stubbornly keeps himself. Little slackers in Green Red, homosexuals in A Night Drunk with Spring Breeze, and nightclub dancers in chongqing blues … They are all one person, but they are not him. An actor has always been just a job for him. I hope that the audience will only remember the role itself and live their lives outside the camera. In fact, Qin Hao, who was nominated by Cannes for three times, never lacked topics, but his persistence and harshness in his bones made him have his own standards for scripts and roles, and even Lou Ye had to promise to exchange terms when he was invited to star in Massage.

        At the 51st Golden Horse Awards, Lou Ye’s Massage won seven nominations and six awards, which made it the biggest winner. As a "royal actor" in Lou Ye, Qin Hao accepted an exclusive interview with a reporter from The Paper (www.thepaper.cn). He said that Sha Fuming is very much like myself, heterogeneous but self-righteous, with ideals but unavoidable vulgarity, struggling and compromising.

The stills of the movie Massage, on the right is Qin Hao.

Confident that standing in the blind can’t tell the truth from the false.

        Finally, Lou Ye’s new film Tuina depicts a portrait of a group of blind people. The blind people in the play have their own "blindness", some are ferocious, some are dull, and some are no different from ordinary people. Among many blind people, Qin Hao’s blindness is the most impressive and tests his acting skills.

        The blindness of the characters performed by Qin Hao is that the eyes are half open and half closed, and the whites of the eyes are slightly turned out, and the eyelids are always in a state of trembling. Because of blindness, and eager to perceive all the troubles in the outside world, Qin Hao’s expression and posture are always in an urgent state of "grabbing his ears" to listen.

        In the early years, when Qin Hao signed a contract with the gold medal agent Wang Jinghua, he made a condition: "As long as it is a film of Lou Ye and Wang Xiaoshuai, no matter whether there is money or not, you must go at any time." This time, when Lou Ye sent an invitation to Qin Hao, Qin Hao hesitated. Qin Hao said that he didn’t want to try the role that he might be "unable to handle" easily, saying that he couldn’t handle it, for one thing, because he hadn’t acted, and for another, he "saw too many failed cases".

        In the process of preparation, Qin Hao himself found many pictures of blind people on the Internet and sent them to Lou Ye. He observed that "the muscles around the eyes of blind people are all dug in because of long-term atrophy." Qin Hao also personally went to some makeup artists to try special makeup, and went to the factory to order special contact lenses as close as possible to the natural muscle state of the blind.

        With a large number of non-professional professional actors who are really blind, Qin Hao admits that this is the place where he is most stressed. "I have always told people that the ones who are most afraid of cooperation are real children, real old people, and extras. Because they are real, and I am acting. So when I was in this play, I set myself a high goal, that is, I was with these really blind people, and the audience couldn’t tell which one was blind and which one was a professional actor. "

        Qin Hao experienced life in a school for the blind and learned massage techniques from a professional massage master. Living with the blind, he found that "people’s speech speed and sense of language are all different when they can’t see." So during that time, Qin Hao closed his eyes and chatted with people around him, feeling the speed and sense of language of the blind.

        Back home from the school for the blind, Qin Hao also insisted on continuing to "experience life" blindfolded. The feeling of being helped at any time and not being sure about the whole world lasted for a day and a half. Qin Hao felt the psychological limit. "That kind of fear, frustration, patience and exhausted irritability are in it. That kind of thing is very complicated. I feel that people who can really accept this reality are stronger than ordinary people. "

        Because it is a group play, the scenes are scattered and must be present, and the actors have spent quite a long time in the crew. Qin Hao said that his greatest motivation is to get along with blind actors and feel strength from them. In getting along with them, Qin Hao realized that treating them normally rather than taking good care of them is the greatest respect. "I get along with them may be different from some others. I don’t regard them as invisible people. In some places, they do show inconvenience and I won’t help them, because they can do it. I don’t want to put them in a place where I need to protect them. I think people are equal. "

Give the character a more humorous tragedy

        In Massage, Qin Hao plays Sha Fuming, the boss of the blind massage center. He is a blind man who is proficient in poetry, speaks a foreign language and likes dancing. To say that he likes dancing, perhaps it should be said that he is sociable. His warm tone and confident expression tell the world that he doesn’t feel any different from others. He met people on blind dates, and Kan Kan talked about "starting classes" at the "tea party" where he met her parents. On the way, he cordially exchanged greetings with passers-by who passed by, as if he could see everyone around him. Until he heard every guest who came to the massage room praise Dr. Du Hong played by Mei Ting as "beautiful as a fairy", he finally said, "I have never felt sorry for myself since I was a child, but at this moment I feel sorry for myself. What is beauty?"

        Qin Hao read the novel Tuina before he made a movie. Before he played the role of Sha Fuming, he had decided to give him more ambitions than the characters in the novel. Compared with the original work, Qin Hao’s Sha Fuming is more humorous, and this humor has an innate tragic temperament. "I told Lou Ye that if I were to play this role, I wanted to play Sha Fuming in my imagination. I wanted to give more play to this role by meeting many people who have the shadow of this character in my life, or some of my personal cognition. This is also one of my creative habits. I need more voice and control over my role. " This is also a quid pro quo for Qin Hao to agree to star in Tuina. Lou Ye promised him to "act as you like, and act as you like".

        "His tragedy is that he thinks he is a great and optimistic person, but what others see is very sad." Qin Hao excavated the similarities between Sha Fuming and him as an ordinary person. However, he thought he was mainstream, had ideals but could not avoid vulgarity, and struggled and compromised.

Those years when I made a lot of money were a waste of time.

        From "Green Red" to "Massage", Qin Hao is the favorite hero of the sixth generation directors, and his name has become a clear footnote of "literary films". Qin Hao has been a person who doesn’t want to waste time since he was in college. When he was in Chinese opera school, he always got the highest score in his class. When his classmates took the drama outside, he carefully prepared the teacher’s homework and made up an "excess" idea to distribute to those students who didn’t have time to prepare their homework because they took the drama outside. "At that time, my classmates called me’ Qin Yimou’ because I had the most fragments."

"chongqing blues" stills

        Qin Hao told reporters that he was in the science experimental class of a key middle school in high school, and no one at home was engaged in performing arts. He just happened to watch TV and saw a special program of "Chinese Opera Homecoming" in his sophomore year, and he was deeply moved and embarked on the present road. "I don’t know this industry, but I know what my favorite actor is. I like Jiang Wen in furong town, so I watched Jiang Wen and Gong Li on TV at that time, and I realized that they had learned such a good performance from this school, so I applied for Chinese opera. "

        Regarding the "label" of "the leading actor in literary films", Qin Hao said that it was not the result of a "choice". "I think it’s more that one aspect of your business is more recognized by everyone. In fact, I am an actor, taking seriously the tasks given to me by every film director and playing this role seriously. Some people like the appearance of "Mystery in a Floating City", while others like the appearance of "A Night Intoxicated by the Spring Breeze". Instead, this choice is in the hands of the audience, who will prefer what you show in a certain role. But for me, I am a so-called’ natural luminous body’. That is, whether you are there or not, I naturally shine there, but which part needs brighter light is the director’s request, and which part I like to see is the audience’s choice. "

"Green Red" stills, Qin Hao on the right.

        Before 2010, Qin Hao kept the work rhythm of one film a year, was critical of the script and only acted what he thought was worthwhile. From the young people in a small town in Green Red to the aloof comrade who exudes charm in A Night Intoxicated by Spring Breeze, the rebellious son in chongqing blues, who is called "the best actor in China" by many people in the industry, has been nominated by Cannes Film Award for three times. Now that Qin Hao thinks about it, the six years of "one year at a time" were the "happiest days" in his life. "Everything I did at that time was for myself. Looking back now, I have told many people that my happiest time is when I play one play a year. At that time, I didn’t earn much money, I wasn’t hungry, and then there was no pressure. I didn’t know how much others paid, nor did I know how much TV dramas paid. I just had a good time filming my things, and I was with these friends every day. Although I heard that a female classmate bought a bag for more than 2,000 yuan and thought it was so expensive, I didn’t care how much they earned. "

        Qin Hao admitted that he had been anxious. "In my bones, my requirements for choosing movies are really strict, but when I really pick them up, I will find that they are not so strict. As I said in Weibo, part of character is’ persistence and compromise’. Many times, I took a lot of choices. I have to say that some of them are for my personal desires, some of them really like this role, some are really human, and some are even very small. For example, I want to learn guitar during this period, and I just need to play guitar in the play. "

        Since 2010, Wang Jinghua, the agent, has taken over Qin Hao’s acting career. Qin Hao’s work is much more than before. In the first year, he made six movies, two TV series and various commercial activities, which also showed him what the so-called "circle" looks like. Qin Hao recalled to reporters, "In those two years, I found that I made a lot of money than before, but none of my works were satisfactory. I felt that I was wasting my time. I knew what I was doing before, and I knew that the level of what I made was there. However, these things that I made in order to earn money were not up to standard, and I couldn’t get them myself. Just to earn more money, I was tired enough. I almost didn’t know who I was, so I followed the wave and I felt very lost. "

Qin Hao and Yi Nengjing walked hand in hand across the red carpet of the Golden Horse Awards.

"Mr. Qin": "It turns out that a relationship can be popular."

        In the last six months, Qin Hao’s exposure has obviously increased, not because of Tuina, but because of her love affair with Yi Nengjing, a female artist in Taiwan Province. Yi Nengjing likes "basking in happiness", and Weibo always praises her "Mr. Qin" with love, and how to bring her full of "positive energy". The 10-year-old age gap, the exposure as a star and the price gap have attracted a lot of attention and controversy for this "newcomer".

        Talking about his feelings, Qin Hao is also very open and aboveboard. Compared with Yi Nengjing’s sweet description of his rescue of her and embarrassing occasions, Qin Hao only smiled faintly. "You can’t pretend at this point. The goodwill at that time was the goodwill of appearance. I know that she is a Taiwan Province artist, but I don’t understand many other aspects. " So at first, Qin Hao didn’t know that Yi Nengjing was so much older than himself, while Yi Nengjing regarded Qin Hao as a "good comrade friend" because of his deeply rooted gay role in "A Night Intoxicated by Spring Breeze". When the distance is getting closer, the two will also have friction caused by regional and cultural differences. "I’m from the northeast. Sometimes when I speak in the way I’m used to, she will think I’m scolding her."

        Despite the friction, the low-key actor proposed to the high-profile "Queen Weibo". Qin Hao said that it was not romantic for him, but that Yi Nengjing had said that he had not been proposed before. "Similarly, on the issue of" being basked in happiness ",Qin Hao didn’t agree, but also said that it was to respect each other’s personality. "I think the happiest thing for two people together is not to restrain each other. She has her personality, and she likes to express it, because she likes to express that she can write books and has other talents. I don’t think I need to hinder or adjust these. I am really the object of her expression, and she has the right! Although sometimes I have a thought in my heart that it is necessary to write, I think about it later. It is not necessary for you in Qin Hao to write. It is necessary for others to write. People are different, but I think we must maintain each other’s personality. "

        Speaking of my job as an actor, there are also many good works that can be taken, but not because the works are familiar. Qin Hao once thought it was "a bit absurd". But now, he said, "this strength has passed." It’s just that he is indignant. "I went to Cannes three times, and I didn’t make headlines to represent China’s movies in grand scenes, but I was always reported because of personal feelings. I don’t talk about right or wrong. This is the loss of culture and I don’t blame anything." Qin Hao joked that one day an interviewed reporter said that he and Yi Nengjing made headlines again, and he asked the other party, "Is that me?" "So this is called red. I always thought that I made a movie and went to Cannes to be called red! I’m sorry, how many people in the world can make such a movie and make people so moved? It turns out that you told me that a relationship can be popular, so I get it. It can’t be absurd, just like some things are not black and white. This is the world, but I must know black and white in my heart and know who I am. "

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Diablo: A German drama with nearly perfect score, with no bad ending.

Note: this article contains spoilers, but spoilers do not affect the viewing of this play.

Does free will really exist? Netflix’s German drama "Dark" can shake even the most determined people who believe this.

The third season (the final season) released on June 27 th closed the distorted old and new worlds, and the complicated puzzles in the 28 episodes of the third season were put back in place. The tragic fate of many characters’ cycles dissipated in the fog of the god of time, and the "Original World" resumed the simple linear flow of time.

Poster of Diablo Season 3

In the last shot, we saw pictures of the wall that once haunted everyone in Wendeng town, most of whom never existed. On June 21, 1986, the clockmaker mistakenly turned on the time machine, which destroyed his "original world" and split the old and new worlds. Since then, the residents of Wendeng town have fallen into a closed loop, and the reproduction of life has become a mother-daughter paradox. Incest, killing relatives, killing children and killing themselves from another time and space have occurred constantly, and everyone has sipped the bitter wine that fate has already prepared.

In the first two seasons, the jumping timeline gradually pieced together the scene that "everything is closed loop and everything is destiny". Many characters have a sense of "Déjà vu" at a certain moment, and the experience of peeping through the tree of life is actually a cycle of fear. The town of Wendeng, a place of tragedy. Everyone has the pain of bereavement, and the motive that drives them to kill is attachment, and they want to save their loved ones/everyone by changing the "past".

The philosophical, religious and scientific system of Diablo is based on the evolution of the West in the past thousands of years. The religious view of birth-death-rebirth in ancient Egypt observes the life and death of the characters in the play, and the study of time by modern physics has become the theoretical basis of time machine and parallel universe. Classical dualism: life and death, light and darkness, corresponding to the fission of the old and new worlds, and two teams of time travelers headed by Adam (Jonah) and Eve (Martha) with contradictory goals.

From this point of view, Diablo is a master. It not only rarely combines the fatalistic closed loop of time travel with the fate bifurcation of the parallel universe in genre dramas, but also tortures the root of fatalism by tracing the fate trajectory of the characters in an extremely cold way.

Every character that Wendeng appeared on the stage has its own epic. The best part of the script is that a character has the opportunity to meet himself at different ages, or confront, cooperate or even kill each other. When the fog was still heavy in the first two seasons, the audience could not tell whether the elderly Jonah, Martha and Claudia were lying to their younger selves, nor could they know their intention of crossing frequently. There is only a vague feeling that the old man is like a pool ball, guiding fate to realize his intention. They don’t care who they kill, just let everything repeat, what’s the point of taking the "right" road at the critical turning point?

As I said before, every character in Diablo is sad. Tragedy can be roughly divided into two types: 1) the young self can’t understand it, and at the same time tries to avoid becoming the old self, but in the end, the course of life repeats itself and the hateful cycle can’t be broken. 2) Everyone who wants to change the story and save their loved ones has failed, either here or there, and finally tragedy is always staged.

But they are all fighters, and no one becomes a numb fatalist after repeated crits, willing to accept the "fate arrangement" calmly. Young people struggle with their old selves, and those who see the mystery of the cycle resist flagrantly. The fate of Nelson and his wife will surely remain in their hearts long after the end of the play.

Ulich Nelson, who traveled through time to find his missing son, was imprisoned as a madman in a madhouse for decades. Finally, I found my son, and my father and son fled to the mouth of Time Cave because of a little magic trick, which almost succeeded and eventually failed. When ulich’s wife, Katrina, robbed the time machine, she found old ulich and tried to save him from the madhouse. Unfortunately, it happened again. She was killed by a young mother who was not pregnant with her (she didn’t know her and mistook deja vu for a sign of the devil) and became a female ghost in the lake.

In the third season, the more accelerated and fragmentary timeline clips clearly show everyone’s futility and despair to the audience. Because of the situation, talent and destiny, the Wendeng people trapped in the closed loop gradually divided into four types. The first one, represented by Katrina and Hannah, has not yet discovered that the world is closed-loop, acting on instinct and realizing the true meaning of life little by little in pain. The second is represented by time travelers, who find the existence of closed loop, realize how the tree of life was created, and personally promote the kindness and incest needed for reproduction; Have faith, stand with Adam or Eve, and understand your responsibilities in the old and new worlds. The third is Jonah and Martha, that is, Adam and Eve. They have a firm belief in the cycle, and the process is like the birth of religion. One group prides itself on the light, and the other believes in nothingness, all driven by love. Adam wants to end the cycle. His ideal heaven is forgetting and nothingness, and everyone doesn’t have to suffer again and again. Eve hoped that the cycle would never end, so that she and Adam’s son could be born again and again. The fourth kind has only one person, Claudia, the "white devil". Only after collecting enough pieces can she complete the whole puzzle, find out the real origin of the cycle, and have the courage to eliminate two worlds that should not exist, so that her daughter Regina in the "primitive world" can live.

The most ignorant are the Catalina, but they break through their fate like warriors in an attempt to save their loved ones. They are most like the tragic heroes of ancient Greece, who fought against fate with the determination to realize free will and won the greatest respect from the audience. The most unfortunate thing is that travelers in time and space mistakenly believe in Adam and Eve, always carrying out orders and never breaking the rules. The deepest implication is Jonah and Martha. Their enemies and mentors are always their older selves, symbolizing the human beings who have repeatedly had youth and repeatedly become rigid and old-the old always want to keep things as usual, and the old always want to control the young.

Adam and Eve, who became similar religious leaders in self-reinforcement, could not see the real crux. Only Claudia, who is eager to save the woman, is single-handed and pure-minded, and neither wants to destroy the two worlds nor promote the cycle indefinitely. How did she guess the origin? The secret can’t be leaked. The screenwriter hid the secret, perhaps to imply the existence of higher power. If time itself is God, he doesn’t need to pay attention to this mischievous joke. Let a person find the "knot" and break it, and there is no need for a reason.

Diablo seems to describe the appearance of modern religion, and there is not necessarily an omniscient and omnipotent god. In other words, time is God, and he may not have the will that human beings can understand, but human joys and sorrows, life and death are all decided by him.

This "god" will not pity the sadness of the two worlds born like a tumor, and will not make any noise, give no guidance, and be completely silent. Finally, Jonah and Martha decided to go back to the real origin-before the watchmaker’s son died in a car accident, so as to prevent the watchmaker from building a time machine to bring back the dead. The price is that they and all the people born in the distorted world of the old and the new will disappear.

Jonah and Martha’s consciousness and self-sacrifice contain the philosophy of eastern and western religions. Let go of your obsession and admit that you are the product of mistakes, as if you were taught by Buddha. Sacrifice yourself, break the cycle, let the "primitive world" return to normal, and embrace the spirit of Christ.

Regardless of whether the God of Time exists or not, the sinful and bloody town of Wendeng, which witnessed numerous human crimes, should not cease to exist like the last toast of Katrina. Even if Jonah, Martha and many others were never born, they were just dreams or deja vu of others. It is meaningful to fight and seek like this.

In the last scene, in a thunderstorm, Hannah, Katrina, Doppler and others who have never experienced all this have dinner. Hannah, who is pregnant, suddenly wants to name her future child Jonah. There are more than one way to understand this ending. Behind the sense of deja vu that everyone will encounter may accommodate such a magnificent epic. Another possibility is much darker: Hannah gave birth to Jonah and started the cycle again, but it didn’t end.

[Specially published by Shanghai Literature and Art Review Special Fund]

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The courier has arrived! Thank you, the most familiar stranger express brother.

1905 movie network news In this special period, we saw many heroes who fought in the front line, but we often ignored the "unknown heroes" around us who have been providing assistance to us in the rear.

 

In this group of "unsung heroes", we have to mention the courier who is closely related to everyone. They have been escorting our lives, rain or shine, whether during our stay at home or at present when we have gradually resumed work.

 

On March 9th, Li Jie, a courier, attended the the State Council conference and said that the biggest difficulty now is that some communities are not allowed to enter, resulting in too little express delivery. He called for allowing couriers to enter the community on the premise of ensuring the health of couriers, so as to improve work efficiency.


Not to mention the "double 11" every year, they have to face all kinds of "explosive positions", and even the film industry can’t do without their "fastest support".


Everyone remembers the "sudden release" event in Better Days, but many people ignore that it is also because of the strength of this group of people that we can see the film smoothly on the day of the release.

 


The figure of courier brother can not only be seen everywhere in our lives, but also the art comes from life. Last year’s hit tribute drama "In the Distance" is an urban entrepreneurial drama that rarely focuses on the domestic courier industry. It allows us to see the development process of private express delivery enterprises, and they have all achieved today’s achievements through hard work.

 

In addition to this drama focusing on private express delivery in China, they are also the most indispensable roles in many movies.

 

Sorry, we missed you


In European and American countries, whenever a courier cannot reach the recipient, the courier will leave a note — — "sorry,we missed you" (sorry, we missed you).


Therefore, the famous British director ken loach made a film "Sorry, we missed you" with this sentence.

 

In this film, this sentence is not only a sincere apology at work, but also an apology for the children as a father in this family of the film.

 

In the film, my father is a courier. Every day, due to overwork, he can’t take care of the big and small things at home. He shoulders the burden of family economy and is bent on providing a stable life for his family, no longer looking at the landlord’s face and owning a house of his own. We can see that the courier is a profession he lives, and his real identity is the head of the family, the husband of his wife, and the father of his children.

 

At the end of the movie, although the hero lost his job, he didn’t play with his children as in the past, but still went out to work for a living. But this time, he said "sorry" to his family.

 

The rest of my life on a desert island


The film starring Tom Hanks is naturally a film that everyone is familiar with.

 

Chuck, the hero, works for FedEx, and he is as precious as gold on weekdays. A plane crash left him stranded on a desert island, far away from the hustle and bustle of the city, and opened up a new lifestyle. His belief in survival was supported only by the pocket watch and a courier package given to him by his fiancee.

 

Over the past four years, needless to say, his hardships and sufferings have turned into failures many times. When his will gradually collapsed, he was unexpectedly saved.


But when he returned to the real civilized world, he became nothing, and unlike fairy tales, his fiancee would wait for him all the time. Strong Chuck chose the blessing and stuck to his duty as an employee of the courier company, delivering the last package before the crash.

 

What exactly is this unopened express parcel? This is the curiosity that the audience outside the film are concerned about. But whatever it is, for him, it is a hope on a desert island and a sense of professional mission.

 

Two seconds


Courier is a race against time.

 

In the movie Two Seconds, the heroine Laurie is the kind of person who focuses on a simple and happy life. As a cyclist, she has no utilitarian heart, just reveling in this sport, enjoying the speed of chasing and eager to freeze the time. After retiring, she still chose the job of bicycle courier. To this end, she even devoted herself to her only racing car.


The life of a courier will not always be as fresh as it was at the beginning and only enjoy riding a bike. Riding a bike is not difficult for Laurie. She is handy, but she has to bear many unexpected difficulties and injuries at work.

 

Just like every courier, they all love their jobs, but they still encounter some unpleasant things when they rush about in crowded cities every day, either coldly or misunderstood, but because of this love, they all live hard and actively.

 

Of course, when we talk about choosing movies in the express delivery industry because we love bicycles, we have to recommend them again.


The hero turned to be a courier because he failed in stock trading, which led to bankruptcy. Compared with the drama of "Two Seconds", this film pays more attention to realism, which is the kind of freedom for couriers to shuttle through big cities and see the good scenery of a city.

 

Premium rush.


The same bicycle courier is even more thrilling.


The hero met a tricky thing, and was entrusted to send an unknown letter. Unexpectedly, it attracted the eyes of a policeman in new york, which led to a series of chasing stories.

 

This film gives an account of the life of express mail, and adds persistence to their fun of riding a bicycle. Express delivery people are happy, persistent, love their work and enjoy the exciting life face to face with time. They are flesh and blood, love and hate, not all of them are poor at the bottom, but some of them come from university campuses, such as the protagonist and his girlfriend.


Probably like the couriers in our life, although they are service industries, they have the responsibility of being full of goods, and they can enjoy their own philosophy of life only by making a phone call to get them to the consignee faster and better.

 

Life express


The movie "Hard Courier" is also a story about the courier being passively involved in a gang plot.

 

Jason Statham plays a retired special soldier, and now he is engaged in driving a BMW to transport goods. Unexpectedly, in a mission, he accidentally found that the goods he was transporting turned out to be a person. He started a magical adventure in line with the "three rules" in the industry.

 

For couriers in life, the "three rules" mentioned in the film are also the professional rules they pay attention to every day: 1. Never change the agreement; 2. Don’t mention your name; 3. Never open the package.


Because of this spirit of contract, on weekdays, the courier and we have more trust and tacit understanding with each other.

 

Super express


In the movie, when the courier played by Michael Chen met his future mother-in-law, he expressed that he would become "the best courier in China" in the future, and he also published a long declaration:

 

"The most important concept of China’s economy in the Internet age is O2O! What is the most important part of O2O? It is logistics! What is the main component of logistics? It’s us couriers! Without couriers, there will be no cheap and good goods; Without commodities, there is no consumption power; Without consumption power, there will be no future of the real economy. Therefore, it is our ordinary couriers who have set up a day in China’s economy! "

 

This slogan may be the voice of the staff in the express delivery industry.

 

In addition to these films, couriers, as the "most familiar strangers" in our lives, often appear in different films and become the strongest supporting actors.


Perhaps the appearance of these walk-ons is only for better advertising, but we may expect that in the future movie market, there will be works belonging to this group of people, and we can also use movies to tell them, "Thank you, courier brother."


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The Central Meteorological Observatory issued a blue warning for typhoon.

  CCTV News:The Central Meteorological Observatory issued a typhoon blue warning at 18: 00 on October 2nd. The center of Typhoon KOINU (strong typhoon) No.14 this year is located at 5: 00 pm today (2nd) in the northwest Pacific Ocean about 630 kilometers south-east of Taiwan Province, China, which is 19.6 degrees north latitude and 126.4 degrees east longitude. The maximum wind force near the center is 15 (48 meters).

  It is estimated that "Little Dog" will move to the northwest at a speed of 10-15 kilometers per hour, and gradually approach the southeast coast of Taiwan Province Island, and its intensity will continue to increase. The strongest one can reach the super typhoon level (16-17, 52-58 m/s), and it will land or brush over the southeast coast of Taiwan Province Island from the night of the 4th to the morning of the 5th (strong typhoon level or super typhoon level, 48-52 m/s).

  Gale forecast: From 20: 00 on the 2nd to 20: 00 on the 3rd, there will be 6-8 winds in the southern part of the East China Sea and the waters near Diaoyu Island, east of Taiwan Province, bashi channel, Taiwan Province Strait, northeastern South China Sea, coastal areas of southern Zhejiang, Fujian and Taiwan Province Island, 9-12 winds in the southeast of Taiwan Province Island, 13-16 winds in the nearby sea where Little Dog Center passes, and 17 gusts.

  Defense guide:

  1. The government and relevant departments shall, in accordance with their duties, do a good job in typhoon prevention and emergency rescue.

  2. Water operations and passing ships in relevant waters should return to Hong Kong to take shelter from the wind, strengthen port facilities, and prevent ships from anchoring, grounding and collision.

  3. Stop large-scale indoor and outdoor gatherings and dangerous outdoor operations such as high altitude.

  4. Reinforce or dismantle structures that are easy to be blown by the wind. Personnel should not go out at will. They should stay in windproof and safe places as far as possible, so as to ensure that the elderly and children stay in the safest place at home, and the dangerous people will be transferred in time. When the typhoon center passes by, the wind will decrease or stay still for a period of time. Remember that the strong wind will suddenly blow and you should continue to stay in a safe place to avoid the wind.

  5. Relevant areas should pay attention to prevent flash floods and geological disasters that may be caused by heavy precipitation.

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Ministry of Transport: Four measures to prevent and control the epidemic situation in Spring Festival travel rush and provide services.

  People’s Daily Online, Beijing, January 30 (Reporter Lu Jing) On January 30, the joint prevention and control mechanism of the State Council held a press conference. Han Jinghua, Deputy Director of the Transport Services Department of the Ministry of Transport, attended the conference and answered questions from reporters.

  This year, the passenger flow in Spring Festival travel rush has increased substantially. How can the Ministry of Transport do a good job in epidemic prevention and control and service? Han Jinghua introduced that there are four specific measures as follows:

  The first is to formulate and implement epidemic prevention guidelines and refine the prevention and control measures of epidemic situation. According to the requirements of "Class B Management" and the characteristics of passenger flow in Spring Festival travel rush, the epidemic prevention and control guidelines for comprehensive transportation in Spring Festival travel rush and Covid-19 were formulated, and 14 epidemic prevention measures were defined in four aspects: disinfection and ventilation of stations and means of transport, protection of employees, publicity and guidance, and emergency response. Strengthen dispatch and supervision, guide all localities to strictly implement the requirements of the guidelines, disinfect and ventilate the passenger contact areas, facilities, equipment and means of transportation in the station, strengthen the health monitoring and protection of employees, and stop operations as soon as symptoms appear to ensure the safety of transportation and epidemic prevention.

  The second is to optimize transportation service measures to minimize the risk of infection. Actively provide non-contact services such as online ticket purchase, e-ticket and self-service ticket inspection to reduce unnecessary personnel contact. Strengthen the passenger flow organization of passenger stations, guide the public to queue up in an orderly manner, disperse and wait for passengers, and reduce the concentration of people. Increase the input of transportation capacity during peak hours, operate "point-to-point" chartered cars and increase night buses according to the needs of the masses, strengthen the connection between different modes of transportation, improve the transportation service capacity, and reduce the gathering of people and long waiting. At the same time, some key passenger stations have also prepared necessary epidemic prevention materials such as antipyretics and thermometers to deal with emergencies.

  The third is to organize supervision and inspection and implement the main responsibility of epidemic prevention and control. In order to implement the epidemic prevention measures of transportation, transportation departments at all levels have carried out various forms of comprehensive and special inspections. Before the Spring Festival, the Ministry of Transport, together with relevant departments, went to 13 provinces to carry out supervision and inspection, and urged transport operators to strictly implement epidemic prevention and control measures such as disinfection and ventilation of passenger stations and vehicles, transportation organization and personnel protection, and resolutely guard against the spread of the epidemic through transportation.

  The fourth is to strengthen epidemic prevention propaganda and guide the masses to travel rationally at the wrong peak. Make full use of service guarantee windows such as "cars, boats, airplanes, roads, ports and stations" and media channels such as television, radio and internet, strengthen epidemic prevention propaganda, release travel information in time, guide the public to travel rationally and avoid peaks, remind passengers to avoid taking public transport when they are sick, wear masks regularly throughout the trip, actively reduce gathering, and be the first person responsible for their own health.

  In addition, Han Jinghua stressed that at present, it is at the peak of returning after the holiday, reminding the majority of passengers that in order to be safe and healthy, they should wear masks all the way in the process of entering and leaving the passenger station and taking public transportation, and work together to prevent and control the traffic epidemic.

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In the second half of the year, China’s foreign trade growth has a good foundation and confidence to achieve positive growth.

CCTV News:At the policy briefing on September 27th, in view of the fact that the growth rate of China’s foreign trade declined in August and some enterprises reported that foreign trade orders were also declining, Wang Shouwen, the international trade negotiator and vice minister of the Ministry of Commerce, said that the current foreign trade development is indeed facing some new uncertainties, but foreign trade is still confident to achieve positive growth in the second half of the year.

Wang Shouwen, International Trade Negotiator and Vice Minister of the Ministry of Commerce:Some time ago, many foreign importers bought a lot of goods, forming a high level of inventory. Now it is necessary to digest the inventory, which will restrict the release of new orders, and the demand for "home economy" caused by the epidemic is also declining.

In order to promote the steady growth of foreign trade, this year, China has introduced a series of policies and measures to stabilize the economy and foreign trade. At the same time, China’s foreign trade has a good foundation. For example, 1— In August, China’s mechanical and electrical products accounted for 56.5% of foreign trade exports, and the competitiveness of high value-added and high-tech products was constantly emerging. 1— In August, China’s automobile exports increased by 57.6%, and solar cell exports increased by 92.6%. In addition, the free trade agreements signed by China and other trading partners are also playing a role. In August, China’s exports to other RCEP member countries increased by 23%, which was 11.2 percentage points higher than the overall foreign trade export growth rate in August.

Wang Shouwen, International Trade Negotiator and Vice Minister of the Ministry of Commerce:Generally speaking, despite the background of slowing or even weakening external demand, we are confident that foreign trade will achieve positive growth in the second half of the year and contribute to the recovery of the national economy through the growth of foreign trade.

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Grasp the historical initiative in scientific practice

  [Reading Classics Theory]

  Author: Qin Long (Professor, School of Marxism, Tianjin Normal University, researcher, Socialism with Chinese characteristics Theory System Research Center, Tianjin)

  "Further grasping the law and general trend of historical development and always grasping the historical initiative of the development of the cause of the party and the state" is a clear requirement put forward by the General Secretary of the Supreme Leader for the whole party. Historical initiative is the subjective temperament and action character displayed by human beings in understanding the historical process, following the historical laws, conforming to the historical trend and taking the initiative to undertake the mission. It is also the practical consciousness of human beings "pursuing their own goals". Based on the social reality, Marxist classic writers made a series of explanations on how to grasp the historical initiative in the practice of proletarian revolution and human liberation. Reviewing and reviewing relevant expositions and their practical application is instructive for us to grasp the historical initiative, overcome difficulties and obstacles and win great victories in the new era.

  Explain historical development with scientific practice view

  Tracing back to the development of the history of thought, before Marx’s view of history came into being, the development of human history was often regarded as pre-existing, presupposed, or understood as the product of God and religion, or as the result of natural laws. For example, Hegel’s principle of "entity is subject" holds that the self-activity of absolute spirit is the entity of subject, which governs practice and the development of human society, and history is the product of absolute spirit; Feuerbach confused the difference between natural existence and social existence, and fell into idealism when he explained history a priori with idealized "quasi-essence". In short, from the perspective of traditional philosophy, although historical existence is endowed with dynamics, the ultimate form of historical development is still closed and determined. In this case, history has no "initiative".

  Marx surpassed the previous historical thinking and speculative thinking, thoroughly criticized Feuerbach and all the old philosophies, and put forward that "all social life is practical in essence", taking practice as the premise and foundation for people to understand the world. Marx insisted that "practice should be explained not from ideas, but from material practice", because "all mysterious things that lead theory to mysticism can be reasonably solved in human practice and understanding of this practice". To understand history through "practice", on the one hand, history is no longer defined as the product of some abstract concept, but the open space and possible process constructed by human beings in practice. All history in the real world is generated and developed through practical activities, and history is dynamic and has differences. On the other hand, from the perspective of practice, the relationship between matter and spirit, thinking and existence is in a non-identity state in activities. In Marx’s view, it is this non-identity that constitutes the driving force of social development. In other words, historical development shows the initiative in breaking the identity in this formal logical sense. As Comrade Mao Zedong pointed out, "Thought and so on are subjective things, and doing or acting is subjective to objective things, which are all special initiatives of human beings. This kind of initiative is called ‘ Conscious initiative ’”。 Thus, taking practice as the logical fulcrum, the veil of historical development was unveiled. History is human’s practical activities, and it is the development of human’s practical activities in time and space sequence. Human social practice with the masses as the main body promotes the pace of historical progress and determines the stage and level of historical development.

  History is the activity of people who pursue their own goals.

  Marx pointed out: "History is just the activities of people who pursue their own goals." Historical materialism always examines the historical initiative in the dimension of human liberation and freedom realization. The communist party Declaration scientifically explains the evolution process of human social forms, reveals the historical trend that "the destruction of the bourgeoisie and the victory of the proletariat are equally inevitable", and that the change of human social forms is objective and inevitable regardless of human will. Through a profound analysis of the development prospect of human liberation and the historical mission of the proletariat, Marx expounded the dialectical unity of proletarian liberation and human liberation and put forward a scientific plan to eliminate capital rule. It is under the guidance of these scientific theories that the proletariat grasped the historical initiative and began the revolutionary practice of overthrowing capitalist rule and liberating all mankind.

  Marx has a keen insight into the key position and role of the proletariat and the working people in social development and revolutionary struggle. In the French Civil War, he pointed out that the working class is "the only class with social initiative" and enthusiastically eulogized the "historical initiative spirit" of "Parisians soaring to the sky". As Lenin pointed out, "what Marx attaches most importance to is the historical initiative of the masses." In Marx’s view, "historical activities are the cause of the masses, and with the deepening of historical activities, it is bound to expand the ranks of the masses" and "the liberation of workers should be the business of the working class itself", and further pointed out that in the struggle against the joint forces of the proletariat, the proletariat "can only act as a class if it organizes itself into a political party different from all the old political parties established by the proletariat". Communist party, composed of advanced proletarian elements, "has no interests different from those of the whole proletariat", has a strong historical initiative, is "the most determined and always promoting part of the workers’ political parties in various countries", and at the same time "understands the conditions, process and general results of the proletarian movement", which can represent the future of the whole movement.With the rise and expansion of modern industry, the proletariat gradually got rid of geographical limitations, created huge productivity and endless wealth, and stood on the world historical stage with a strong sense of historical subject and historical initiative. The scientific practice of the proletariat fully proves that only the revolutionary forces that respect historical laws, conform to the general trend of historical development and take scientific theory as the guidance can fully grasp the historical initiative in revolutionary practice.

  Grasp the historical initiative in the great practice of the new era

  The General Secretary of the Supreme Leader pointed out: "As long as we grasp the law of historical development and the general trend, seize the opportunity of historical change, follow the trend and work hard, we will be able to make better progress." At present, China is in the best development period since modern times, and the great rejuvenation of the Chinese nation has entered an irreversible historical process. In the great practice of the new era, we should firmly grasp the historical initiative and take a good road to build a socialist modern country in an all-round way.

  Take the initiative to attack in front of opportunities, without hesitation or wait and see. Since the 18th National Congress of the Communist Party of China, we have promoted a series of transformative practices, achieved a series of breakthrough progress, and achieved a series of landmark achievements, providing a more perfect institutional guarantee, a more solid material foundation, and a more active spiritual strength for Chinese modernization. We should strengthen our awareness of opportunities, be good at grasping the direction, making good use of opportunities, creating conditions and controlling the overall situation from the development and changes of the situation and conditions, guide the people to scientifically understand and grasp the laws of economic and social development and modernization, and formulate a creative planning and policy system that reflects the times, grasps the regularity and leads the future in taking advantage of the trend.

  Face up to difficulties, don’t shirk and don’t escape. The road to national rejuvenation is not smooth, and we must be ready to deal with all kinds of difficulties and challenges at any time. "History always advances, and history never waits for all hesitators, spectators, slackers and weak people." No matter what storms we encounter, we can’t stop moving forward. In the new era and new journey, we should deeply understand the new features and new requirements brought about by the major contradictions and changes in our society, and the new contradictions and new problems brought about by the complicated domestic and international environment. With the heroic spirit of "the more difficult it is, the more forward it is", we should fully mobilize the enthusiasm, initiative and creativity of the people, cope with major challenges and overcome major obstacles, and maintain the strategic initiative in accurately recognizing changes, scientifically adapting to changes and actively seeking changes.

  Respond positively to risks without flinching or dodging. In the face of the complicated international situation, complex and sensitive surrounding environment and arduous tasks of reform, development and stability, we must not only guard against risks first, but also have ingenious ways to deal with and resolve risk challenges; It is necessary not only to fight a well-prepared battle to prevent and resist risks, but also to fight a strategic active battle to turn crises into opportunities. We should always keep a sense of being prepared for danger in times of peace, be cautious in treading on thin ice, be sensitive to Ye Zhiqiu, always observe the general trend and always think about the overall situation, consider and plan in advance the risks and problems that may be encountered, make strategic changes and strategic leaps in a timely manner, and firmly grasp the initiative in development.

  The General Secretary of the Supreme Leader pointed out: "Whether a country can be rich and strong, whether a nation can be revitalized, the most important thing is to see whether this country and this nation can conform to the trend of the times and grasp the initiative of historical progress." On the new journey, we must adhere to the guidance of the Supreme Leader’s Socialism with Chinese characteristics Thought in the new era, base ourselves on scientific practice, respect the people’s dominant position, accurately grasp the regularity and interaction of the two overall situations, gain insight into the historical trend, enhance the historical initiative, and constantly write more splendid chapters of Socialism with Chinese characteristics in the new era.

  (This article is the key project of the special major research project of ideological and political theory teachers in colleges and universities in 2022, "Strengthening ‘ Four self-confidences ’ Research on the Mining and Application of Chinese Excellent Traditional Cultural Resources in Education "[〔22JDSZZ02〕] Stage Achievements)

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Countdown to the Chinese New Year Music Festival. China’s big names all appeared.


Yuan Huiqin and China Philharmonic Orchestra



Asgen


  BEIJING, Jan. 23 (Xinhua)-On Jan. 22, the "Dragon and Phoenix Becoming Lucky-Global Chinese New Year Music Festival", jointly sponsored by the National Centre for the Performing Arts and Phoenix Satellite TV, will be officially staged on the 29th day of the Lunar New Year (Jan. 24). The sudden cold wave can’t stop the enthusiasm of artists. In order to provide a rich music feast for Chinese compatriots around the world on the eve of the Spring Festival, members of the China Philharmonic Orchestra rushed to the rehearsal site with their musical instruments in the early morning. The original ecological tenor Gao Baoli, the Peking Opera artist Yuan Huiqin, who is known as "a thousand-faced old Dan", the piano rookie Wang Yujia, who is known as "the female version of Lang Lang in China", and Jiang Kemei, the most outstanding and popular all-rounder of Hu Qin in the contemporary era, and many other musicians on the performance list also arrived. The artists gathered together and rehearsed their carefully selected tracks for this global Chinese music festival.


  "China melody, Western-style interpretation; The innovative arrangement technique of "traditional art and modern expression" has brought different passions to "top" artists. Although it is only a rehearsal, the artists’ serious input has not diminished at all. After a short run-in, they will interpret the classic songs in a seamless and vivid way. After exploring the details, the artists couldn’t help clapping their hands and encouraging each other.


  Yuan Huiqin: Music Festival Seeking Artistic Standards


  On the same day, the longest running-in piece was an excerpt from the Beijing Opera Symphony "The Woman of Yangmen". At this Chinese and Western Spring Music Festival, the Beijing Opera Symphony, which combines tradition and modernity, will undoubtedly be one of the biggest highlights. Although Yuan Huiqin, the singer of "Young Woman", once cooperated with the China Philharmonic Orchestra in a solo concert held in May this year, the symphony orchestra needs to "walk beside" the actors because of the complete lines and dramatic conflicts, as well as the dramatic changes in the singing rhythm of Beijing Opera, which is different from ordinary symphony performances, and each performance will be different according to the actors’ live performance.


  Talking about the "trueness" between the two sides in the rehearsal of some beats, Yuan Huiqin, who was running between the rehearsal of the Spring Festival Evening and the rehearsal of the music festival, explained: "The global Chinese New Year Music Festival is a platform to spread the charm of China music and Chinese culture to the world. This high-end cultural performance requires very high artistic standards. In addition, the Beijing Opera Symphony is an innovation of the traditional Beijing Opera, which brings challenges to the cooperation between performers and orchestras, so we choose it carefully. There is no such difficulty in the program I will perform in the Spring Festival Evening. First, because the form is traditional Peking Opera, and second, because the Spring Festival Evening focuses on creating a festive atmosphere. "


  Gao Baoli: The best state is reserved for Chinese people all over the world.


  At the rehearsal scene, the original ecological singer Gao Baoli and the China Philharmonic Orchestra, who cooperated for the first time, brought a lot of surprises to each other, and the "Shandandan Blooms in Red" in one go was full of charm. "I have been looking forward to working with the Philharmonic Orchestra, hoping to bring innovative auditory enjoyment to the audience through the sublimation of folk music through symphony. In order to participate in the global Chinese New Year Festival and fully show the charm of China folk songs to the world through this platform, I have turned down many commercial performances during this time, and I hope to keep my best state for Chinese compatriots around the world. I am particularly happy that the cooperation with the Philharmonic Orchestra can be so tacit today. " Gao Baoli, who won warm applause from the Philharmonic Orchestra, said seriously.


  Wang Yujia: Be yourself and don’t be a "female version of Lang Lang"


  The first movement of Tchaikovsky’s Piano Concerto No.1 in B-flat minor and the fourth movement of the Yellow River are ups and downs, and ten slender fingers are performing classic songs like flowing water. Wang Yujia, a pianist on the piano bench, is totally different from the girl born after 80s who highlighted yellow hair and wore jeans and sneakers. The only similarity is her seriousness when watching other people’s performances under the stage.


  The members of the Philharmonic Orchestra who rehearsed together could not believe that Wang Yujia had never played "Yellow River" in public. Wang Yujia, who was born in 1987 and went to the United States to study piano at the age of 14, is now famous in the European and American music circles. Wang Yujia, who just learned that the fourth movement of Yellow River would be performed at the music festival two weeks ago and returned to China for the Spring Festival for the first time in 14 years, said: "The Yellow River is a classic song representing China. I am very happy that the Global Chinese Music Festival will allow me to play this song for the audience of the motherland during the Spring Festival. Although it is the first time to cooperate with the Philharmonic Orchestra, it is not strange at all. There is a feeling of going home. On the day of the ceremony, I hope that I can present the magnificent momentum of the fourth movement, so that the global audience does not feel that a girl is playing. " After a song, sweating Wang Yujia spontaneously took off her sweater in public. Before doing this action, she did not forget to consult the consent of others present with her eyes.


  Talking about the title of "China female version of Lang Lang" given to her by the domestic media, frank Wang Yujia said: "Lang Lang is a young pianist who is internationally renowned. I am very happy and grateful to them for calling me that. This is my affirmation. I am honored, but I still want to be myself and be the only Wang Yujia rather than being a replica of others."


  Jiang Kemei: The spread of music in China should be gradual.


  Jiang Kemei, a well-known Huqin performer who has cooperated with China Philharmonic Orchestra for many times, performed "Deep Night", which can be described as a combination of rigidity and softness, graceful and graceful atmosphere. The perfect cooperation between the two sides shows the oriental charm of Chinese folk music incisively and vividly. Jiang Kemei was deeply touched by the holding of the Chinese New Year Concert around the world: "In recent years, the foreign exchange of China music has been very frequent. It is of great significance for our China music to go further to the world to hold the Chinese New Year Festival for the whole world on such a special day as the Spring Festival."


  Jiang Kemei, who has been invited to participate in large-scale international performances such as Cannes International Film Festival and Prague Spring Music Festival, and has cooperated with many internationally renowned orchestras and conductors, said that China’s music has a high international recognition at present: "I was once invited to perform two classic tracks, Deep Night and Horse Racing, with the world-famous Ottawa Symphony Orchestra, because it was the first time to perform oriental folk music together, and the conductor of the Ottawa Symphony Orchestra was very nervous. However, after a period of running-in, the performance was very successful, and the audience repeatedly asked to return. The perfect combination of erhu and violin brought a refreshing feeling to the audience and a great surprise to the conductor. After the performance, he patted me on the shoulder and told me that he would come to China to learn about China music. " Jiang Kemei also said that it is a very clever way to spread oriental music by combining Chinese and Western music in the global Chinese New Year Concert. From the combination of Chinese and Western music to the original flavor, the gradual infiltration and dissemination will give foreign audiences a process from understanding to acceptance to appreciation, which is an effective way for China music to go global.


  Asgen: High-pitched Challenge to C 《 Qinghai-Tibet Plateau 》


  Composer Zhang Qianyi once said: "Asgen’s temperament is very suitable for fresh, pure and distant songs." Each other is born from the heart, and the song is like a person. As simple and mellow as her singing, Asgen is reminiscent of the air with fragrant flowers and plants brewing on the plateau.


  Asgen, who was still performing in Sichuan in the morning, flew back to Beijing at noon and rushed directly to the rehearsal hall of China Philharmonic Orchestra to participate in the rehearsal of "Dragon and Phoenix Becoming Lucky-Global Chinese Music Festival 2009". Despite some airsickness symptoms, as soon as the music started, Asgen was as excited as a different person.


  On the stage of the global Chinese music festival, Asgen was the first Tibetan singer to sing. Therefore, Asgen chose the song "Qinghai-Tibet Plateau". The Qinghai-Tibet Plateau, which was created in 1997, combines the popular singing style with the Tibetan folk singing style, and the passionate and infectious melody sings the amorous and verve of the Qinghai-Tibet Plateau. This time, Asgen’s version of "Qinghai-Tibet Plateau" raised the music to C, and the singing was even more like the sound of nature.


  "The first time I cooperated with the Philharmonic Orchestra, the difficulty of the songs also increased, so the pressure was also great. Although I have been singing on the stage for so many years, I still feel nervous when I think that Chinese in the world is watching me sing. " The first audition went well, but Asgen asked to sing again, and asked Xu Peidong, the artistic director of the Chinese Music Festival, the conductor of the orchestra and even the staff who stopped to listen on the sidelines to help her make suggestions and adjust the most perfect singing effect.


  Xue Wei: China music should show off its skills to the world.


  "The success of a musician is closely related to national strength and national prosperity. I have played abroad for so many years, and I have witnessed and experienced many changes. China has made great progress in these years, and the achievements of China music are obvious to all. Now China music can and should proudly show our achievements to the world. " Xue Wei, one of the most outstanding contemporary violin masters, the China musician who has won the highest and most prizes in international violin competitions so far, and the violinist who set the record for the youngest professor in royal academy of music 20 years ago, said so.


  Perhaps it is to express this idea that Xue Wei suggested that the track of "Dragon and Phoenix Becoming Auspicious-Global Chinese Music Festival 2009" be selected as "Sunshine Shining in Tashkurgan". The Sunshine in Tashkurgan, which has a strong ethnic flavor, applies Tajik music materials and absorbs the playing techniques of China folk instruments, and is known as one of the most representative gorgeous and dazzling works of Chinese violin music.


  Accompanying Xue Wei to complete this performance is the violin "Stradivari" made in 1751. "As a performer, every performance will try to attach some new content and new breakthroughs. Without new elements, there will be no new source of enthusiasm. I look forward to new breakthroughs on the stage of the National Centre for the Performing Arts. " In the cooperation with China Philharmonic Orchestra, Xue Wei and "Stradivari", the old partners, are full of passion, and the second degree and the decoration of semitone, the imitation of the four-tone chord of Dongbula and the unrestrained cadenza are outstanding.

Editor: Yan Bin

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Take measures to expand the soybean planting area to 140 million mu and increase the production capacity steadily.

  CCTV News:Soybean is the main source of edible vegetable oil and protein feed, and it is also an agricultural product with high dependence on foreign countries in China. This year, the state has taken various measures to expand the soybean planting area nationwide to more than 140 million mu.

  This year, the northeast of China has guided farmers to grow more soybeans by carrying out grain-soybean rotation. This year, Heilongjiang Province will co-ordinate 1 billion yuan of agriculture-related funds to support the expansion of more than 10 million mu of soybeans, with the largest area. Jilin Province mobilized farmers’ enthusiasm by means of preferential policies and increasing investment in science and technology. This year, the area of soybean planting was 854,000 mu, up 22% year-on-year.

  In addition, this year, the country promoted soybean and corn strip compound planting in suitable areas such as northwest, Huang-Huai-Hai, southwest and Yangtze River basin. In order to arouse farmers’ enthusiasm, on the basis of the central government subsidizing 150 yuan per mu, the provincial finance will subsidize 170 yuan per mu to make up for the increased costs of sowing, fertilizing, spraying and harvesting. Shaanxi province has sown 1.877 million mu of soybeans and interplanted 680,000 mu of soybeans and corn. Yan ‘an and Yulin have integrated improved varieties, agricultural machinery and processing to increase production, and created 40 soybean-corn strip compound planting demonstration zones.

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Pentium pony strives to create a new life with smart driving, which one is more cost-effective?

Although cars can improve the convenience of people’s travel, safety is still an unavoidable topic. Therefore, many car companies have begun to upgrade the safety of their models. Of course, for consumers, a car with complete active and passive safety configurations will be more popular. The richness of a car configuration is related to the user’s car experience, so many people are concerned about its configuration today. Let’s take a look at it next.

First of all, from the appearance, the design style of Pentium pony head has taken a steady route, which is very sporty. Headlights are simple and fashionable, and the design is more fashionable and dynamic. The car is equipped with etc. Coming to the side of the car body, the size of the car body is 3000MM*1510MM*1630MM, and the car adopts simple lines, which gives people a very streamlined feeling. With large-sized thick-walled tires, the shape is eye-catching. In the design of the rear end, the overall shape of the rear end of the Pentium pony echoes the front face, and the taillights look very comfortable and have a rounded shape.

When I came to the Pentium pony car, the interior shape looked very simple and the overall shape was remarkable. The car looks very good outside the steering wheel, made of plastic, showing a sense of atmosphere. Take a look at the central control. The design of the center console is reasonable, which makes the interior style impressive and has a certain sense of science and technology. The dashboard and seats are equally eye-catching. The dashboard of the car presents a simple design style, highlighting the trendy temperament. The car uses fabric seats, which are wrapped in place and are basically enough for daily use.

Pentium pony matching gearbox, 30KW, 90N.m, good power performance.

The car is equipped with Bluetooth /WIFI connection, sunshade mirror, USB interface, uphill assist, rear reversing radar and other configurations, and the configuration performance is passable and basically satisfactory.

After reading the above introduction, let’s make a summary. Such a car with the right price is enough to meet the daily practical needs, and it doesn’t take much thought to maintain it at ordinary times, and the cost performance is good.