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　　　 1905 movie network news Recently, the film, which was produced by the famous director Guan Jinpeng, directed by the new director Luo Dong, and starring Ruan Jingtian, Du Juan and Miao Qiaowei, will be released nationwide on April 15. In the film, Yuan Wenkang plays "Thomas", a passionate, fearless young Shanghai man who is brave enough to pursue his dreams. He calls the character "an adventurer". Regarding the film’s partners Ruan Jingtian and Du Juan, he praised them as very hard-working and dedicated actors, and Du Juan "retains an excellent Shanghai femininity".

Yuan Wenkang starred in "New York New York"

　　　 In the fall of 2014, after watching director Xu Anhua, director Guan Jinpeng was deeply impressed by Yuan Wenkang, who starred in Tang Wei’s first love "Wang Enjia", because this role has been rarely mentioned in history, but Yuan Wenkang performed a commendable style. "After watching it, Director Guan was very approving of my performance, and then he asked me to meet. Director Guan, Director Luo, the screenwriter and I chatted all night in Beijing." Guan Jinpeng told Yuan Wenkang that the character "Thomas" that invited him to play this time was very similar to Xu Anhua’s role as Ah San played by Luo Lie in that year, and Yuan Wenkang watched the movie that night and read the script, and then agreed to star in "New York New York".

　　　 The film New York New York tells a tale of two cities in Shanghai and New York against the backdrop of the 1990s overseas boom. At that time, young people were eager to change their lives and wanted to go out, which led to all kinds of love and hatred. The film has a strong behind-the-scenes cast. Not only is Guan Jinpeng the producer in charge of the film, but also Zhang Shuping, the royal art director of Wong Kar Wai, has been invited to join to recreate the glamorous atmosphere of Shanghai in the late 1990s.

　　　 As a native of Shanghai, Yuan Wenkang has deep memories of those days. "At that time, many people thought that foreign countries were paradise, and they all wanted to go out and go overseas. Most of them went overseas with simple ideas." In fact, he said that many friends around him now also mention immigration. "But I think no matter where you go, the fallen leaves always return to their roots. No matter how good the outside world is, you may eventually return to your hometown. This is the relationship between people and land. It is fundamental. If people want to live a better life, they still have to change through their own efforts."

Yuan Wenkang calls "Thomas" an adventurer who regains a sense of the Shanghai era by playing against the cuckoo

　　　 In "New York, New York," Yuan Wenkang’s "Thomas" is Ethan’s friend for many years, and he is also the first young man in their circle to leave Shanghai for New York. In Yuan Wenkang’s opinion, Thomas can be called an "adventurer". "His purpose is very simple. He has a vision for a better life, is impulsive, and will move forward tirelessly. He is a positive person. Such a person is inspiring. He will be the first to take the lead in eating crabs. He is full of adventurous spirit, knows how to have fun in time, and knows how to get through danger. Only such a person can go to the outside world and take root."

　　　 On the first day of filming, Yuan Wenkang played opposite the heroine Du Juan, "At that time, it reminded me of those early films of Wong Kar-wai, which were also stories from the 1990s. Zhang Shuping was also the art director, so I could feel that this was a very textured film. Director Luo Dong was very familiar with that era, and Director Guan had filmed" ", so the whole team felt very good about shooting."

　　　 In "New York New York", Yuan Wenkang, Ruan Jingtian and Du Juan are collaborating for the first time. "Xiaotian is very hard-working and dedicated, and we will also take the initiative to chat and get to know each other outside the play, because we have been friends for many years in the play, so we can’t have too many strange feelings. When filming in New York, we go out to eat together every day." Although Du Juan and Yuan Wenkang have never filmed, they have known each other before, and they are both Shanghainese people. They are relatively familiar with each other, and Yuan Wenkang is also full of praise for her: "Du Juan retains the temperament of a Shanghai woman, and it is very well preserved. I have been in Beijing for many years, and the temperament of a Shanghainese person is much less, so I have been speaking Shanghainese with her, and it is also to better retrieve the sense of the era of the characters What did Xiao Tian do when the two spoke Shanghainese? "He would listen next to him, because Director Guan wanted Xiao Tian to speak Shanghainese as much as possible in the film, so he also practiced very hard and learned with us to cultivate the context of Shanghainese."

1905 movie network news On the occasion of the 25th anniversary of Hong Kong’s return to China, the 12th Beijing International Film Festival specially invited the image ambassador of the Hong Kong International Film Festival to serve as the publicity and promotion ambassador of this year’s Beijing Film Festival, becoming the double ambassador of the two annual film festivals!

Looking back, in fact, Guo Fucheng has a long history with the Beijing International Film Festival, and his films have been screened at the Beijing Film Festival many times. For example, in the 11th Beijing International Film Festival, he co-starred with the chairperson of the international jury of last year’s "Temple of Heaven Award"; the 10th Beijing Film Festival Screening Films; the 9th Beijing Film Festival Screening Films; the 6th Beijing Film Festival Screening Films and the 2nd Beijing Film Festival Screening Films "B + Detective" "Favorite" and so on.

These films are of various genres, including both commercial blockbusters and literary masterpieces. Among them, Guo Fucheng’s characters are all-encompassing, from mythical big figures to small figures, from police elites to down-and-out detectives, he always has the courage to break through himself in many fields and try to create one after another charismatic movie roles for movie fans. As an all-round artist, Guo Fucheng’s pioneering spirit for the road of film is undoubtedly a model for the new generation of artists to learn. If you use his four musical masterpieces to review his screen career in the past three decades, it will definitely be wonderful.

From the art world: "I can’t finish loving you"

"I can’t stop loving you, I can love you every day, every month, every year, forever."

The four "Four Heavenly Kings" are known to generations born across half a century. However, there is a little trivia that many people may not know: Guo Fucheng, a member of the "Four Heavenly Kings", is actually the latest to debut. Although as early as 1984, Guo Fucheng became an artist in the TVB dance training class, during which he not only shot MVs, but also danced at variety shows, he has always been unknown. Guo Fucheng, who is now a household name, experienced a long career in TV dramas when he transferred to the wireless artist training class in 1987.

It was not until 1990 that Kwok Fu-cheng shot a car advertisement in Taiwan that it became an instant hit. His four-and-six-point hairstyle in the advertisement was imitated by young men and women today. Because of the popularity of this advertisement, he himself successfully launched his first Mandarin album "I Can’t Love You Enough". I believe there is no need to repeat how popular the title song of the album and the iconic dance in the MV are. After several years of silence, he finally took advantage of the wind. In 1991, Kwok Fu-cheng took advantage of the opportunity to launch two Mandarin albums and won the "Gold Award for Most Promising Newcomer" of the top ten Chinese hit songs of RTHK. In 1992, Kwok Fu-cheng developed in Hong Kong as a singer, came from behind, and jumped to the "Four Heavenly Kings", and really started his 30-year "moving" art career.

Superstar Metamorphosis: "Wild City"

"If you love what I love the most, if I am crazy and wild in my heart."

Singing and acting well is the golden rule of Hong Kong’s art scene, and it is also a touchstone for artists’ popularity. After Kwok Fu-cheng has built up his strength in the music world for a long time and soared into the sky to become the Four Heavenly Kings, movie contracts have also followed.

In 1991, Kwok Fu-cheng was invited to appear in the star-studded version of the public welfare film "Night Banquet of the Rich", which was filmed for the mainland flood fundraiser. The film had more than 200 stars participating in the performance, and the opposite scenes were regarded by the industry as the handover ceremony of the two generations of comedy kings. It is worth mentioning that Kwok Fu-cheng has not officially returned to the Hong Kong entertainment industry at this time, and he was invited to perform, which shows his high popularity that cannot be ignored. In the same year, another film performed by Kwok Fu-cheng brought him the first nomination for the Hong Kong Film Awards, which also opened his entanglement with the Academy Awards for more than 20 years.

In the early 1990s, the core of Guo Fucheng’s career was mainly in singing. Movies were mostly commercial comedies, leaving him as a dynamic youth idol on the screen. Until the late 1990s, the release of the film made a milestone change in the public’s impression of Guo Fucheng. Adapted from the popular comic of the same name, as the first martial arts film to use computer special effects to create action scenes, "The Wind and Clouds" became the Hong Kong box office champion that year with its 41.53 million Hong Kong dollars. This also allowed Guo Fucheng to complete the transformation from a youth idol to a film superstar with great commercial appeal while harvesting the most representative works of the 1990s.

Since then, with the halo of a box office superstar, Guo Fucheng has officially entered the era of co-productions.

Love is Inextinguishable: "The Call of Love"

"Who calls me softly, awaken the fire of love in my heart."

Since the director entered the mainland market in 2000, Guo Fucheng’s film works have been frequently screened in the mainland. The more and more film works are performed, and Guo Fucheng’s study of performance has become more and more diligent.

The love for movies is an unquenchable fire in Guo Fucheng’s heart, which makes him fully committed and go all out every time he interprets a character. The consistent practice over the years has also opened Guo Fucheng’s harvest season in life. In 2005 and 2006, Guo Fucheng won the Best Actor Award in an important film festival for two consecutive years for his film and film, starting the starting point of the award campaign.

After 14 years, with "Three Forks" re-nominated for the Hong Kong Film Awards performance award, Guo Fucheng has completed the transformation from supporting actor to leading actor. It seems plain but can amaze the world with a single brilliant feat, starting from "Three Forks", Guo Fucheng with "Father and Son" and "Crime and Punishment" has made a super record of four Best Actor Awards for five years.

Starlight doesn’t ask the traveler, and the hard work pays off. In 2016, Guo Fucheng finally succeeded in winning his own Best Actor trophy at the Academy Awards. At that time, the candidates competing with him in the same class should not be underestimated. They are three-time Academy Award winners and two-time Academy Award winners. Although they have only won one male partner, they have also accumulated ten nominations. However, this also makes Guo Fucheng’s long-awaited Best Actor trophy even more rich in gold.

As a filmmaker who has always loved movies, the Golden Statue Actor will not be the end of Guo Fucheng. In 2019 and 2020, Guo Fucheng was nominated for the Best Actor at the Academy Awards again for "Mai Passerby".

As time goes by, Kwok Fu-cheng has become a face that cannot be ignored in Hong Kong movies, from the dynamic king of the year.　

Breaking the Game: "Strong"

"The strong man is you, you can fly to the sky and escape the earth."

Looking at Guo Fucheng’s works in recent years, it is not difficult to find that he is still making self-breakthroughs. In addition to the box office blockbusters such as the "Cold War" series, the "Journey to the West" series, and "Unparalleled", Guo Fucheng has many different attempts. In Yao Shuhua’s director, he is a descendant of Shanxi merchants; in the director’s "Favorite", he plays a young man from a village; in the director’s "Taoist Monk Down the Mountain", he has become an expert from outside the world.

In addition to the role, in terms of director cooperation, Guo Fucheng is also open to invitations. Among the cooperative directors, there are both such Hong Kong New Wave seniors, such as, and other mainstay forces, as well as new directors such as Lu Jianqing, Liang Lemin, Zhou Xianyang, and Huang Qingxun. Guo Fucheng not only has a broad performance route, but also helps young directors complete their works as a superstar.

Although the most attention of the market is still the traditional commercial type of police and gangster films in Hong Kong, the police and gangster films starring Kwok Fu-cheng are slightly different. "B + Detective" and "C + Detective" directed by Peng Shun are a mix of horror and suspense elements, "Chills" series focuses on the power game of the police high-level, "Peerless" is like a puzzle movie… Kwok Fu-cheng never seems to mind using himself as a test subject. He always strives to explore the different aspects of today’s Hong Kong police and gangster films, stimulate the vitality of this type of film in the new era, and lead the audience into the treacherous black and white world to explore good and evil.

Guo Fucheng is always full of vitality. In the music world, he specializes in dynamic dance music and is known as the "King of Asian Dance". His dance skills have been unparalleled for 30 years. In the film industry, he has won the best actor award in many film festivals and film awards. He has worked tirelessly along the way and moved forward, gradually cultivating from an idol student to a powerful acting school. And his always-youthful, fashionable appearance and restrained and calm interior also coincide with the film festival image created by the Beijing International Film Festival.

This summer, the 12th Beijing International Film Festival will join hands with Guo Fucheng with love to create double excitement. Let’s follow the pace and welcome the grand launch of this film festival together!

1905 movie network news The Chinese-language action movie finally returned after more than 300 days and was officially released on December 18. At the same time, the film opened the "Chinese Superheroes" hardcore roadshow and held the "Super League of Legends" conference in Shanghai on the same day. Director Lin Chaoxian, producer Liang Fengying, starring Peng Yuyan, Wang Yanlin, Xin Zhilei, and Xu Yang were present.

In addition, the meeting also invited three healthcare workers who rushed to the front line during the epidemic. It was because of them that the patients were able to be treated quickly. They are real "superheroes". Lin Chaoxian’s director confessed on the spot: "There is no patron saint who fell from the sky, but they are actually ordinary people who stand up. Thank you for standing up at a critical moment."

"Emergency Rescue" creators pose with fans

At the meeting, the rescue people told in the movie also showed high-altitude speed rescue, and their unique skills were eye-opening. In addition, the movie "Emergency Rescue" also held a thousand-person viewing event in Shanghai, and its reputation continued to soar. It was named the first "Burning Explosion" movie of the year. At the same time, the "Superhero" national roadshow was officially launched. The main creators of "Emergency Rescue" will be parachuted into Fuzhou, Shenzhen and other major cities to meet local real superheroes, send greetings to them, and pay tribute to the ordinary heroes who stand up in life with the power of super British blockbusters!

Peng Yuyan, Xin Zhilei, Wang Yanlin

Focusing on rescuing people for the first time, this is our own "superhero blockbuster"

The movie "Emergency Rescue" is based on a real maritime rescue incident. It tells the story of rescuers who sacrifice themselves and go forward to save people in the face of natural and man-made disasters. This is also the first time that a movie has focused on this group. The movie has also been evaluated as China’s own "superhero blockbuster". In reality, "superheroes" do not necessarily have superpowers. Those ordinary people who rush to the front line to save people are real "superheroes". On December 18, the movie "Emergency Rescue" kicked off the "Chinese Superhero" themed hardcore roadshow. The first stop in Shanghai not only invited more than a thousand spectators to watch the movie together, but also held the "Super League of Legends" conference in the landmark "Magic City Matrix".

Peng Yuyan’s "Emergency Rescue" stills

At this meeting, the creators also gave their own understanding of the "superhero blockbuster". The lead actor Peng Yuyan said: "Before the movie’Emergency Rescue ‘, no movie had paid attention to the group of rescuers, but these people have been silently protecting us with their lives. To me, they are ordinary people who stand up and are real superheroes." And Xin Zhilei, who plays the hardcore female captain in the film, said: "Superheroes are not really fearless. They are also afraid of pain, will get hurt, and even want to back down. They are ordinary people like you and me." Those "superheroes" who constantly protect us with their lives are the most worthy of respect and respect, and "Emergency Rescue" is using the movie to write the most magnificent thank you letter to them.

At the "Super League of Legends" conference, Professor Zheng Junhua, the leader of the first batch of medical teams in Shanghai, the vice president of Shanghai First People’s Hospital, Professor Zheng Junhua, the deputy captain of the National Emergency Medical Rescue Team of Huashan Hospital Affiliated to Fudan University (the fourth batch of medical teams in Shanghai to assist Hubei), the director of the reception office of Huashan Hospital Affiliated to Fudan University, Jia Bo, the deputy leader of the fourth batch of national TCM medical teams (Shanghai), and the president of Shanghai Skin Hospital, Professor Li Bin, three healthcare workers who rushed to the front line of Hubei, in the most difficult period of the epidemic, it was healthcare workers who braved the front line to protect our more than one billion Chinese people. They are definitely true heroes.

Professor Zheng Junhua said: "On New Year’s Eve in 2020, we and 135 medical staff rushed to the front line in Wuhan. We were faced with the triple difficulties of lack of supplies, difficulty in treatment, and infection of medical staff. We also had fears, but saving lives is the mission of white-clothed soldiers, so we also rushed forward resolutely. Just like the rescuers depicted in our movie’Emergency Rescue ‘, we have fears, but we also have the determination to overcome them." Faced with the idea of "superheroes", Director Jia Bo and Professor Li Bin said humbly: "We are just healthcare workers, ordinary people, superheroes are omnipotent, but we are not, we can only do our best." The creators expressed their sincere gratitude to them at the scene, and they also presented movie tickets and tribute flags to the three healthcare workers on behalf of the movie "Emergency Rescue". The real rescuers also appeared in a group, and they joined hands to challenge the high-altitude project of the "Magic City Matrix". They staged the live version of the high-altitude speed rescue, with agile skills and skilled skills, which is their unique "super power". After the video broadcast, the scene also applauded, and this "super power" shook both the creators and the audience. The movie will also fully show the various "super powers" of the rescuers. In the movie, they stand in the front of the roar of water and fire, guarding the last side of the emergency evacuation, and use their lives to fight against natural and man-made disasters, which brought tears to the eyes of countless audiences.

Shouldering the mission and moving forward bravely, the movie "Emergency Rescue" was officially released and praised as "the best rescue film"

At the "Super League of Legends" conference, the creators also talked about the difficulties of filming the film. Lin Chaoxian admitted: "From creation to video, ‘Emergency Rescue’ took nearly 6 years. This is a real superhero blockbuster, and I hope it can encourage every viewer." Producer Liang Fengying also talked about the four search and rescue scenes in the film: "The movie’Emergency Rescue ‘is an upgraded version, and three of the four rescue scenes are equivalent to an entire movie." It is conceivable that the film has more input than the audience imagined. Of course, the audio-visual feast presented by the efforts of the creative team will continue to impact the audience’s senses.

Starring Wang Yanlin revealed at the scene: "The daily training time of the real rescuers is 20 minutes, but Peng Yuyan’s training time on the spot is 40 minutes a day, which is more than that of the professional team members!" As the heroic female captain in the film, Xin Zhilei revealed: Lin Chaoxian, the director known as the "Exploding Forest", has always been known for being "serious". Of course, the movie "Emergency Rescue" also continued this persistence. No matter how difficult the scene is, he chose to shoot with real water, real fire, and real explosion. The final effect under this persistence is self-evident. The originally difficult-to-capture maritime rescue footage was filmed with a strong sense of reality, and the audience seemed to be in it. The viewing experience fluctuated with the plot from beginning to end, which was heart-wrenching and exciting.

Accompanied by the warm applause of more than a thousand spectators in Shanghai, the main creator of the movie "Emergency Rescue" came to the theater to meet and communicate with the audience. "If Peng Yuyan doesn’t survive in the ending, I will scold Director Lin Chaoxian!" One audience member first said: "After watching the movie, I feel that I want to treat life well and face life well." Another audience member, who still had tears in his eyes, first expressed his admiration to the creator of the movie "Emergency Rescue": "Thank you to every creator, who risked danger and withstood pressure to dedicate such a good work to the audience. The movie has laughter, tears, friendship, love and family affection. It has a brave heart and perseverance. This is the best rescue movie I have ever seen."

Lin Chaoxian thanked the audience for their love of the film. He believed: "The danger of saving people is to face the unpredictable nature, and it is their mission to snatch life from the hands of death." Just as the audience excitedly "confessed" to the creators, the East China Sea First Rescue Flight Team, China’s first generation female search and rescue captain, and also the prototype character played by Xin Zhilei in the movie "Emergency Rescue", Song Yin, and the captain of the diving rescue team of the East China Sea Rescue Bureau and Shanghai Rescue Base. Secretary Tang Shunjie made a surprise appearance to help the film.

Song Yin and Xin Zhilei (right)

Song Yin first hugged Xin Zhilei warmly, she said: "I watched’Emergency Rescue ‘a year ago, and I always wanted to help in the movie during the process of watching it. Watching it again a year later, the shock is still the same, even more doubled! Thank you to every creator for letting the audience know us and getting to know the Chinese rescuers!" Xin Zhilei, who was on the side, said with emotion: "This industry is extremely challenging for every ordinary person, and it is even more challenging for the female captain. I am very honored to play this role!" At the end, the lead actor Peng Yuyan expressed his gratitude to all the audience on behalf of the crew: "2020 is extraordinary, and we hope that the movie’Emergency Rescue’ is not just a good-looking and shocking movie for everyone. I hope that through this film, every audience will know how to cherish life and remember these Chinese rescuers! "

The film "Emergency Rescue" is directed by Lin Chaoxian and produced by Liang Fengying, starring Peng Yuyan, Wang Yanlin and Xin Zhilei, starring Lan Yingying, Wang Yutian, Xu Yang, Chen Jiale, Li Mincheng, Zhang Jingyi and Li Xinrui, and starring Guo Xiaodong, Zhang Guoqiang, Wei Daxun and Lian Kai. The film was officially released nationwide on December 18.

　　After entering the aging society, we pay more and more attention to health, from daily dish matching to scientific exercise, and even the greetings to the elderly are mainly "healthy and long life, good health…". In my opinion, money can be earned in a way, and it is difficult to recover the loss of health of the body. It is not unreasonable for physical and mental health to be rich. How to measure health? Compared with the era when we were sick and went for a checkup, there are now too many devices that can help us grasp various indicators of the body in a timely manner. Timely adjustment of diet and living habits is the best way to prevent signs.

　　It is very necessary to have a sphygmomanometer for the elderly to measure their blood pressure from time to time to understand their own blood pressure, so I have prepared a Mijia intelligent electronic sphygmomanometer for the elderly. This is not the first sphygmomanometer I bought, but the elderly have given high praise after using it for a period of time, mainly for the following reasons:

　　Feeling 1: Patent free clip cuff innovative design, accurate retention of one clip and one stick

　　As soon as I got the Mijia smart electronic sphygmomanometer, I gave it to the elderly and asked about the difference between it and the original sphygmomanometer. The elderly did not know what measurement algorithm, but they praised the Mijia smart electronic sphygmomanometer’s clip-free cuff. Friends who have had a physical examination to measure blood pressure know that whether it is a traditional semi-automatic sphygmomanometer or an automatic sphygmomanometer, it is very troublesome to wear the cuff. It is difficult for one person to fix it in the corresponding area and stick it tightly.

　　The innovative design of Mijia intelligent electronic sphygmomanometer, which has won an industry design patent, solves this pain point very well. Its cuff simulates the measurement method of nurses and adopts a clip design similar to two-hand retention, which improves the detection accuracy and avoids the helplessness of the traditional cuff repeatedly pulling to adjust the fixed position.

　　This can be seen intuitively from the moving picture. When you need to check blood pressure, just clip the untied clip cuff of the Mijia smart electronic sphygmomanometer 1-2 cm on the upper side of the hand and elbow joint, and then gently paste it to complete. It’s really not too simple.

　　The Mijia intelligent electronic sphygmomanometer provides 99 measurement memory data records (supports double use data records), with an accuracy of ± 3mmHg (± 0.4kPa) and a pulse of 40-180 beats/min; the latter is basically the same as the common electronic sphygmomanometer value, while the former has 2-3 times more memory capacity, and can also be transmitted to the Mijia app through Bluetooth for data management. In terms of details, there are obvious cuff orientation prompts and correct wearing instructions on the free clip cuff. Basically, you can read it once, and there is no threshold for use.

　　The correct use steps are: 1. Clip the cuff at 1-2 cm on the upper side of the elbow joint; 2. The palm of the hand is facing up, and the rubber tube is parallel to the palm of the hand (align with the middle finger); 3. Sit and keep the cuff at the same level as the heart; 4. Start testing. Is it difficult? It’s really much simpler than traditional cuffs.

　　Experience 2: Self-developed algorithm model blessing, in-depth analysis of different populations

　　Only after getting started with the Mijia intelligent electronic sphygmomanometer did I understand that intelligence not only means convenience but also more accuracy. Relying on the large clinical database and self-developed algorithm model, the Mijia intelligent electronic sphygmomanometer has undergone multi-band technology accumulation and iteration, and established a multi-dimensional blood pressure model by analyzing the physiological parameters of different populations. It can use different algorithm models according to the characteristics of different heartbeat waveforms.

　　Experience 3: Connect to the Mijia app to easily realize remote viewing and data management

　　Mijia intelligent electronic sphygmomanometer’s tie-free clip cuff accurately retains + self-developed algorithm model, and the double blessing makes me impressed by the intelligence of the sphygmomanometer. At the same time, the data management brought by connecting to the Mijia app allows me to better grasp the trend of blood pressure changes in the elderly, even if I am not around, I can easily understand the blood pressure of the elderly.

　　I think the connection process is basically negligible, because you just need to install the Mijia app and open the Bluetooth search, and then add the device. You can see the label page of the Mijia smart electronic sphygmomanometer provides "recent measurement value, measurement history and morning and evening measurement records", and the whole page is very concise at a glance.

　　In the settings, it supports "volume, unit settings, device information, member management and emptying memory, manually adding data, firmware upgrade", etc. Here I think "manually adding data" is more commonly used, and it can enter the indicators of the elderly’s blood pressure measurement in pharmacies and hospitals, so as to better manage blood pressure data.

　　Mijia intelligent electronic sphygmomanometer currently supports double recording. After adding new members to the Mijia app, each time the measurement data is truthfully allocated, the blood pressure data can be managed in the Mijia app, and the blood pressure changes of the elderly can be intuitively understood through the trend chart. Judging from the connection of the Mijia app, the Mijia intelligent electronic sphygmomanometer is very intuitive to control, consult and manage, and has established a complete blood pressure database for the two elders in the family. If there is a suggestion, it is to hope that the later firmware update can support more members to add. Although everyone can measure, it would be great if a family of six like me could establish a blood pressure database for the elderly and the couple, regardless of the children.

　　Feeling 4: Early morning and evening blood pressure monitoring only available in the industry

　　It turns out that the electronic sphygmomanometer used by the elderly is also a big brand. Although it also has 30 sets of memory functions, I have never heard that the blood pressure in the early morning and evening needs to be specially distinguished. What is the difference? After some understanding of Du Niang, I realized that the original industry thousand yuan machines are equipped with this function, mainly because most people have 10-20% higher blood pressure in the morning than in the evening. In the morning and night, due to the cardiovascular rest and dormancy "standby" state, the human blood pressure is relatively stable and real; but there are also a small number of people who belong to anti-dipper hypertension, that is, the blood pressure in the evening is higher than in the morning. Such people need to adjust the corresponding treatment plan to control blood pressure.

　　The early morning and evening blood pressure detection functions of Mijia intelligent electronic sphygmomanometer can automatically classify early morning/evening according to the detection time, thus better distinguishing cardiovascular and cerebrovascular or anti-dipper hypertension problems.

　　Feeling 5: Like Xiao Ai’s small body, long battery life and voice broadcast

　　Mijia intelligent electronic sphygmomanometer is an upper arm electronic sphygmomanometer using oscilloscope measurement. It is shaped a bit like a generation of Xiao Ai smart speakers, with a 3.7-inch display on the left side of the panel, and memory and start/stop buttons are located on the right side of the panel.

　　On the left side of the fuselage, you can see the "reset button jack, Type-C charging port and cuff jack" of the Mijia smart electronic sphygmomanometer. It is worth mentioning that compared with the dry battery type sphygmomanometer I bought for the elderly before, the Mijia smart electronic sphygmomanometer with a built-in lithium battery performs well in terms of battery life. It measures 180 times under full charge, and can last for one and a half months at a frequency of 1 time in the morning and 4 days in the evening. The standby battery life is up to 90 days.

　　In addition, I think the one-button switch voice playback of Mijia intelligent electronic sphygmomanometer is also very user-friendly. After all, the elderly have poor eyesight, and it is always inconvenient to rely on the screen content alone. Voice broadcast makes up for this aspect very well. It is very convenient to adjust the broadcast volume through the Mijia app.

　　Feeling 6:3.7-inch soft light screen, dark light is still displayed clearly

　　In terms of content display, the 3.7-inch soft light screen of the Mijia intelligent electronic sphygmomanometer reasonably magnifies the core information, allowing the elderly to easily view it even in a dim light environment. Its content layout is very reasonable, and it mainly provides "high and low blood pressure, electricity, blood pressure classification, pulse, memory and action prompts".

　　What makes me satisfied is that the Mijia smart electronic sphygmomanometer has a misoperation prompt function. In addition to providing correct usage videos in the Mijia app, it can also remind me in time by capturing subtle fluctuations in the pressure of the cuff, such as measuring speech, body movement/shaking, and wrong postures that affect the accuracy of measurement such as loose cuffs, effectively preventing mismeasurement.

　　Mijia intelligent electronic sphygmomanometer summary:

　　Overall, the Mijia intelligent electronic sphygmomanometer makes me feel the difference between the intelligent electronic sphygmomanometer and the ordinary electronic sphygmomanometer in terms of ease of use, measurement accuracy and data management. The double blessing of the free clip cuff accurate retention + self-developed algorithm model well explains the thoughtfulness brought by intelligence. It can easily measure blood pressure with one clip and one paste. There is also a clear content display and humanized voice playback. The blood pressure data management and early morning/evening blood pressure monitoring on the Mijia app allow me to intuitively grasp the blood pressure changes of the elderly, which is convenient and intelligent.

　　Home blood pressure monitoring has become an indispensable means to effectively improve the awareness and control rate of hypertension. A good sphygmomanometer should not only be affordable, but also accurate, easy to use and intelligent. Mijia intelligent electronic sphygmomanometer has satisfied me in all aspects.

>On December 7, new screenwriter Liu Xiaofeng revealed on Weibo that Wang Sicong’s "banana plan" owed him 800,000 yuan in script bonus.

>Liu Xiaofeng said that due to his family’s financial pressure, he once recorded a kneeling video for Banana Film CEO Wei Xiangdong, imploring him to convey his anxiety to Wang Sicong.

>Four days after the incident was exposed, Liu Xiaofeng toldEntertainment StudioNow that the other party doesn’t care about public opinion, he is also using legal means to defend himself.

>Liu Xiaofeng’s experience once again exposed the industry dilemma facing new Chinese screenwriters.

>He told his screenwriter friend that he hoped to be the last screenwriter in China to be defaulted on royalties, and his friend replied: Dream on, in your next life.

Screenshot from Liu Xiaofeng Weibo

Uncashed 800,000

>Liu Xiaofeng used to work in the hotel industry. In late 2017, his script "Tower Cry" entered the stage of frequent meetings with partners. In order not to affect his job, he chose to quit his job as a full-time screenwriter.

>Non-academic, without any school, Liu Xiaofeng, who is fighting alone, is eager to find a company and become a contracted screenwriter.

>In the second half of 2018, he saw the first "Banana New Screenwriter Dream Realization Project" organized by Wang Sicong. After submission and interview, his script "Genius Screenwriter" finally won the third prize and became one of the six winners. According to the promise, the prize should be 800,000 yuan.

>Picture from Liu Xiaofeng Weibo

>Afterwards, Liu Xiaofeng and Banana Film signed a relevant contract agreement, and cooperated with the script copyright transfer according to the agreement. According to Liu Xiaofeng, from July to December 2019, Banana Film did not fulfill the contractual commitment to pay the bonus within the specified time after the copyright transfer. At that time, Banana Film CEO Wei Xiangdong explained that Wang Sicong was only a temporary financial problem, and would still pay the bonus to incubate the script and shoot the film when the funds were turned around.

>Until September 2020, Liu Xiaofeng was under great financial pressure due to family reasons, and asked Wei for a bonus again. The other party replied that Wang Sicong did not give him the money, and he could not manage it even if he was a part-time worker.

>According to Liu Xiaofeng’s understanding, several other award-winning screenwriters are well-connected in the circle and have basically chosen to terminate their contracts with Banana Pictures. However, he believes that the copyright of his script "Genius Screenwriter" has been owned by Banana Pictures for more than a year and a half, and he hopes to get his own bonus.

>Picture from Liu Xiaofeng Weibo

Two big pits in front of new screenwriters

>In his three years in the industry, Liu Xiaofeng has yet to make a single production. He has written about 10 original scripts, including "Genius Screenwriters", and sold a total of three original scripts, which has become his main source of income.

>As a new screenwriter, in addition to writing originals, he has also been exposed to some opportunities to write for other projects through his own connections and resources.Before entering the industry, friends told him to be prepared for unpaid royalties and difficult authorship – two common industry dilemmas faced by screenwriters.

The project is yellow, and the balance is gone.

>In the past two years, Liu Xiaofeng has participated in a number of online movies.

>There was a project that was about to start filming, but when the policy for online movies became stricter, the market tightened, and the project went bankrupt.

>This year, he wrote another online movie script, and the investment was also found. As a result, the producer told him to start making main theme movies, and the project was temporarily suspended.

When Liu Xiaofeng’s work "Genius Screenwriter" was selected for the Banana Project, the source of the picture was Liu Xiaofeng Weibo

>Compared to other jobs such as directors and actors, the screenwriter’s work all takes place before the start of the production. After the script is written, the project is not filmed. Of course, the screenwriter has the greatest loss.

>Liu Xiaofeng said that the current rules are basically divided into three payments to screenwriters. The first payment is a deposit, the second payment is paid after the first draft is published, and the third payment is paid after the boot is turned on. If the boot cannot be turned on, it means that 30% to 50% of the balance will not be received.

>The bigger problem is that China is a human society. If it is a job introduced by real-world friends, it is often paid after the work is done. Once the project is yellow, it may be equivalent to doing it in vain.

>"As a rookie screenwriter, the price is very low, especially at Wangda University. A better one will give you 8 to 100,000, and a closer one will be 3 to 50,000."

>After publicizing that the banana plan owed him 800,000 bonuses, a friend told Liu Xiaofeng that his outstanding payments over the years added up to almost 1.50 million.

Liu Xiaofeng’s work "Genius Screenwriter" was selected for the banana plan to win 800,000 bonus, picture source Liu Xiaofeng Weibo

>Liu Xiaofeng asked why the other party did not pursue the case, and his friend told him that because it was difficult to defend rights, it would take several years to file a lawsuit. It was possible that the producer had run away, or that the project had gone bad. If the project had gone bad, he would still be chasing the producer for money.

>"If you are serious with him, will you still get along in the future, and will you still mix in this circle? So although the other party did something wrong to me, I can’t say anything about him, and I have to be friendly with him on the surface."

The work is done, the signature is gone

>The big screenwriters assigned the work to the new screenwriters, and the new screenwriters were responsible for the main writing, but in the end, the big screenwriters were named. This was a common phenomenon in the screenwriting circle. Liu Xiaofeng, who had been in the industry for three years, did not want to accept such unspoken rules, but some good opportunities for big projects may have been lost like this.

>"Once, the filmmaker sent me something written by a big screenwriter for me to change. In the end, when it came to authorship rights, I could only ask me to be a literary editor, but I didn’t accept it. My screenwriter friend said that you have to have some backbone and can’t start this, otherwise it will be detrimental to your career development in the future.

>Now the filmmakers are very good at chatting, first tell you how good this project is, and then let me give my opinion. After chatting with me, I took all my ideas, started to talk about the price, and the price was also negotiated. Finally, I will say that because the first draft is a big screenwriter, you can’t be a screenwriter when you sign your name.

>I know that they are original, and I have no problem with them, but I have also revised them. I have also created them, and I am also a screenwriter. If I were just planning and editing, I would not be able to change them so meticulously.

>The other party said there is no way, or I will give you some money. I said it is not about money, what kind of work should be signed. "

Picture from Wang Hailin Weibo

>There are a large number of new writers in the industry who are facing these two dilemmas. They may be alone, but is there a better way to solve their dilemma?

>In addition to going it alone, signing a screenwriting company and working with a big screenwriter are two other mainstream options. In Liu Xiaofeng’s opinion, both have advantages and disadvantages, but he prefers to sign with a big screenwriter.

>"For example, I’m working alone now, and a company comes to me to talk about buying a script, and the cost they want to pay is the price I want to sell it. If I sign with the company, they have to give my company a commission, so some companies prefer to talk to a solo screenwriter.

>I prefer to follow the big screenwriter because there is a role of mentoring. Although the big screenwriter may take the job and our subordinates will do it, if we are lucky, we may be able to sign a co-writer, and now it is all celebrity effect. After our new screenwriter comes out, if there is a big screenwriter in front of us, they will immediately take a high look and be willing to chat with you. Maybe after working with the big screenwriter for a few years, you can slowly have an independent signature. "

The above screenshots are all from screenwriter Li Yaling’s Weibo, the current situation of the screenwriting circle

　Why didn’t the "banana project" happen?

>It is precisely because the survival situation faced by new screenwriters is so difficult that every film festival venture capital and every new project endorsed by celebrities is like a dawn, a hope.

>Banana Pictures was born in August 2017. On September 27 of that year, the "Banana New Director’s Digging Project" was announced. It was the first time that Wang Sicong entered the public eye as the behind-the-scenes operator of the film company.

>A total of 812 directors signed up for the "Banana New Director Digging Project" and received 840 films. On April 26, 2018, the program held an awards ceremony, and 16 directors were announced on the spot.

Picture Source Banana New Director Digging Project Weibo

>During the Shanghai Film Festival in 2018, the Banana Project held another press conference to announce the launch of the "New Screenwriter’s Dream Realization Project", with a total prize of 6.30 million RMB.

>Wang Sicong had a long-term plan at the time, and planned to use the method of "discovering new directors one year and discovering new screenwriters one year" to cultivate a group of top directors and screenwriters in six years.

>At the awards ceremony of the new director project, Wang Sicong once said proudly, "Others want to turn 200 million into 1 billion, but I already have 1 billion, so I can directly take out 200 million and see if I can do something for my favorite movie."

>Banana New Screenwriter Dream Project

>From the public information, after the first new director’s excavation plan, there was no news of any director’s salary claims. We can assume that the banana film industry was still not short of money at that time, and the banana film industry did not subjectively default on bonuses.

>But in 2019, due to the freezing of Wang Sicong’s own property and the absence of banana film industry, the first screenwriter’s land excavation plan ended up with the bonus that could not be honored.

>A well-intentioned plan couldn’t be carried out in the second year; a new film company started "underpaying" after three years of establishment, what was the problem?

First, there is a lack of professional talent.

>The reason why the "Banana Project" initially gained attention was one of Wang Sicong’s celebrity effect, and the other was that his arrogance was not bad for money.

>However, after the film and television industry experienced a meteoric rise around 2015 and a continuous influx of hot money, what it needs is not only funds, but also professionals with the ability to incubate projects.

>On September 27, 2017, at the launch of the "Banana Project" meeting with the public for the first time, Wang Sicong said that there are too many garbage movies in China, and Chinese directors have great problems. At that time, he expressed the hope that the film industry will be more professional. For example, some directors have multiple jobs on the set, and some directors have been shooting a scene for many years. They think that is obviously very unprofessional.

>Although he understood the truth, Wang Sicong himself was not a professional film talent, and his company did not recruit true core and first-line professionals.

>Banana Pictures has always promoted youth and innovation, and in a press release, Banana Pictures described its team as "a young team with an average age of only 26 years, an active personality, a pragmatic style and a strong professional style."

>Therefore, this is a company that unearths new directors and new writers, and then allows a group of newcomers with an average age of only 26 to develop projects.

>Banana Pictures’ publicly announced corporate positioning is to "consolidate the infrastructure of film and television talents and produce content products that young people like". The company’s image is "positive energy, youthful, anti-routine, personality, and interesting", but all this can easily be reduced to slogans. What a film production company really needs is a team that can develop projects, set up plates, and shoot on the ground.

>The film industry needs innovation, but experience is just as important. How can a group of inexperienced newcomers put a project to the ground? And the company also lacks Dinghai Shenzhen. Wei Xiangdong, the CEO of Banana Film, is a former host. He has participated in movies such as "Unexpected Love Time", "Mr. High Heels" and "Keep Silent".

Second, success or failure is all about money.

>The venture capital units of major film festivals are a valuable platform for many new directors and screenwriters, where they can meet the right investors and producers to help them bring their projects to fruition.

>The Directors Association’s "Green Onion Plan" relied on the resources of the Directors Association, and there would be many experienced directors and producers to help new directors implement the project.

>Compared with the longer-established film festival venture capital unit or the resource-rich "Green Onion Project", the "Banana Project" cannot prove its own subsequent incubation and development capabilities, so the high project bonus has become its greatest advantage.

>Liu Xiaofeng remembered that there were 3,170 screenwriters participating at that time. On the last day of the deadline, because many people submitted their contributions, the website of the "Banana Project" once crashed.

source network

>Some of these new screenwriters regard Wang Sicong as a new hope, and perhaps some of them are motivated by money.

>In recent years, there have been a lot of plans to find new directors and screenwriters, and the industry is also discussing, do you really need so many plans? Is there really so much talent to find?

>From the perspective of the contestants, we believe that the "Banana Project" should fulfill its commitments; but from the perspective of the "Banana Project"’s own operation, in the absence of sufficient project development capabilities in the banana film industry, it is debatable whether it is necessary to spend high prices to find new people for six consecutive years, and whether the excavated projects are suitable for the company itself to develop.

>Many things can’t be done well with money. Back then, Panda Live occupied the market with high-priced signing popularity live streaming hosts, but was defeated because of insufficient follow-up operation capabilities. It also earned money by throwing money at the "banana plan". What needs to be consolidated is the follow-up development capabilities.

>The failure of the "Banana Project" was similar to the failure of Panda Live. As an investor, although Wang Sicong understood the importance of professionalism, he obviously needed to find the right path to it.

Picture Source Banana New Director Digging Project Weibo, Wang Sicong, Wei Xiangdong